Hollywood cannot credit itself without applauding the tremendous success ofbeloved franchiseslikeStar Wars,Harry Potter,Mission: Impossible,theMarvel Cinematic Universe,Jurassic Park, andJames Bond. Movie franchises draw long-time fans back into theaters annually, and nowadays, giant studios spend most of their millions on producing films within these film series as a “safer” route.Fast and Furious, one of the most popular action franchises in showbiz, is just as profitable as it is addictive, but this electrifying, car-chasing collection can’t hold a candle to the longest franchise of all time.
While the cinematic kung fu genre boomed to popularity in the 70s, there is one film that is deemed to be thefirst kung fu movie to represent the realistic style of martial arts in an authentic setting. Released in 1949,The True Story of Wong Fei Hung: Whiplash Snuffs the Candle Flamestarted the phenomenon of theWong Fei Hungseries, which is about the famed folk hero of Southern China.The franchise was produced in Hong Kong and ran up until the 1970s. Legendary actorKwan Tak Hing, who supposedly resembled the hero in demeanor and looks,portrayed the notorious martial artist in over eighty filmsand became interchangeable with the character’s reputation. According to theGuinness World Records,theWong Fei Hungfilms stand as the longest franchise in the world, beatingF&F’s twelve iconic moviesin more ways than just its action genre.
The True Story of Wong Fei Hung: Whiplash Snuffs the Candle Flame
What is the ‘Wong Fei Hung’Franchise All About?
Born in 1847, Wong Fei Hung was not only a master in martial arts, but he was also a respectable physician of traditional Chinese medicine. The folk hero specialized in thehung gastyle of Chinese martial arts and only resorted to fighting when necessary, according to an article in theSouth China Morning Post. Wong’s legacy has been engraved into pop culture through media adaptations like films, TV series, and radio shows, with the most well-known depiction seen within theWong Fei Hungfranchise.
The idea for the series came about when DirectorWu Pang, who directed more than fiftyWong Fei Hungfilms, read a newspaper article about the martial artist during a ferry boat ride in Hong Kong. At the time,wuxia filmswere the trend (movies that illustrate martial artists flying through the air or using magic to fight). Pang aspired to showcase the realism of Wong’s fighting style without using wirework or even traditional acrobatics from the Peking Opera, as stated inThe Criterion Collection. The director opted for long takes and long shots. He avoided cutting or zooming effects, which would later become a staple of kung fu films.The first film of the series,The Story of Wong Fei-hung: Whiplash Snuffs the Candle Flame,marked the beginning of the long-lasting franchise that went on to inspire renowned action stars Jackie Chan and Jet Li to portray the modest life story of Wong Fei Hung in several industry-defining films.However, earlier generations associate the character of Wong with the famed acting performances of Kwan Tak Hing.
As perSouth China Morning Post, Kwan, born in 1905, played Wong in almost everyWong Fei Hungfilm until the 70s. He formed his own opera company at just twenty-two and toured the USA. When he returned to Hong Kong, he was scouted by Wu Pang forThe Story of Wong Fei-hung,kickstarting his silver screen career. The first installment sets up the tone for the whole franchise, following Wong and the members of his Po Chi Lam martial arts school who must rescue a young woman held against her will by her husband’s boss.Wong’s philosophy is seen in all the films as he voices himself as a peacemaker. He tells his students that they should only do martial arts for personal, mental, and physical development.The film is most famous for the mesmerizing lion dance at the start of the movie and its authentic choreography that was said to have been passed down to the stuntmen who had lineage from legendary martial artists such as the Ten Tigers of Guangdong.
Kwan Tak Hing embodied the folk hero to the ‘T,’ even referring to himself as Wong in public. With the help of director Wu Pang and Kwan, the duorevived the “kung fu” genreand created Hong Kong cinema’s fabled superhero in all of his raw talent. The second installment of the Wong Fei Hung series,The Story of Wong Fei-hung, Part II: Wong Fei-hung Burns the Tyrant’s Lair, was said to have survived only partly intact but was later found locally in 2011, as recorded in theHong Kong Film Archive.
Why Does the ‘Wong Fei Hung’ Series Stand Out From Other Action Franchises?
The former director of the Hong Kong International Film Festival,Roger Garcia, stated in an interview, “The kung fu practiced in the Wong Fei Hung films is real kung fu.“The biggest reason why theWong Fei Hungfranchise was so successful was that the films symbolized authentically Cantonese culture by incorporating the Cantonese dialect, tea houses, folk songs, firecrackers, lion dances, dragon boats, and most importantly, raw kung fu styles.The series captured the beauty behind martial arts — the hard work and dedication that is required for every fluid movement. Director Wu Pang stayed faithful to his vision with the fifty-some movies he directed and never leaned into a fantasy element regarding the fighting sequences, and this is exactly what separated the collection from the dominating wuxia genre.
Wong’s story resonated the most with the Hong Kong working-class viewers.He represented a hero for the common people who fought for justice, and the natural framework of his martial arts, practiced by real masters in the series, celebrated Chinese culture without exaggerated theatrics.Whenever the fight scenes take place, they are always fresh, gripping, and mesmerizing to watch. For instance, there is a mass fighting scene in the first movie where two characters are fighting on a balcony. The entire shot is filmed from a bird’s eye point of view. A Tchaikovsky score swells as the motion is blurred softly, but the scene, outdated by today’s standards of action filming, elegantly demonstrates just how intricate real kung fu is meant to be perceived without any special effects.
With actionfranchises likeFast and Furious,the first few installments also try to portray street racing in a realistic yet stylish format. But as the series progresses, the movies take a chance to experiment with over-the-top action stunts, blurring the lines between the actuality of car chases and heists. Freelance reporterKen Li, the man whose urban drag racing articles inspired theF&Fseries, commented on the changes he spotted throughout the films inanIndependentarticle, “I saw a lot of them. It [the franchise] got increasingly crazier when it went along: cars were flying in the air and suddenly guys were bulkier and more oiled. And there were more guns, which I’d never really encountered.”
Similarly, when the Wong Fei Hung franchise went on a hiatus in 1967, the franchise returned three years later with a new choreographer,Simon Yuen, who changed the realistic fighting approach by combining it with faster editing, wirework, and trampolines. As perthe Criterion, these modifications did help revive the genre, although theWong Fei Hungseries quickly came to an end in 1970 when Kwan Tak Hing announced his semi-retirement from acting.Wong Fei-hung: Bravely Crushing the Fire Formationwas the last film Kwan played Wong until he appeared again as the folk hero once more inDreadnaught(1981).The role of Wong Fei Hung continued to grace cinemas in several Kwan-less productions — the most famous being the blockbusterOnce Upon a Time in China(1992), starring Jet Li.
It’s unmistakable thatWong Fei HunghasFast & Furious’s12 film count beat by miles long in legacy and longevity. The franchise paved the way for Hong Kong cinema to educate audiences on the intimate art of kung fu, its traditions, and how it should read on camera. The groundbreaking, longest franchise remainsan iconic symbol of theChinese film industry, enticing action fans to revisit the class series!
